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Archives: Exhibitions

Zev Farver: Machine Fantasies/Human Events

About the Exhibition Machine Fantasies/Human Events is a site-specific installation comprised of an evolving audio piece broadcasting over FM radio, a computerized transmitter constructed from parts of an old stereo receiver and two associated schematic drawings. Presented as part of Present|Perfect|Continuous, an exhibition marking the Varley Art Gallery of Markham’s twentieth anniversary, Zev Farber’s installation makes use […]

Jon Sasaki: Things Saved for a Rainy Day

About the Exhibition Museums collect vast arrays of artifacts; typically, items of significant cultural interest. These objects, once removed from both space and time, become untethered from their original contexts. They are kept in vaults and stored away under lock and key, forced to remain still for perpetuity. That is, until they are brought out […]

Mother Tongue

About the Exhibition Language is a universal and abstract system of sounds and symbols. Yet, the social, political and cultural contexts in which a language is spoken greatly affects its development and usages. In ever increasingly globalized societies, our sociolinguistic identity is not often singular. The language we speak at home or learned as a […]

Paul Fournier: Worlds of Wonder

About the Exhibition Colour—a visual language that must be experienced and felt—comprehended not just by the mind, but with the heart and soul. The Varley Art Gallery launches its 20th anniversary with a solo exhibition by senior Canadian artist Paul Fournier. With a career spanning more than 50 years, Fournier’s creative production has evolved through a […]

Present | Perfect | Continuous

About the Exhibition The Frederick Horsman Varley Art Gallery of Markham opened its doors on May 31, 1997. Our first exhibition, Varley: A Celebration sought to pay tribute to F.H. Varley’s creative spirit and his role as a pioneering figure of Canadian art. For the last twenty years, the gallery has pursued the mandate of collecting […]

Susana Reisman: Standardizing Nature

About the Exhibition Susana Reisman’s photographic and sculptural practice investigates the reasoning and decision making behind the ‘shape’ of things. She is interested in the natural environment and how it adapts (or is adapted) to the urban landscape. The two bodies of work on view, Standardizing Nature and On Technology (in the Collections Gallery) continue the artist’s exploration […]

Innovative Spirit: The Prints and Drawings of Pudlo Pudlat

About the Exhibition Innovative Spirit gathers seventeen works on paper by Pudlo Pudlat (1916–1992) from the collection of Peter Milligan and Dorene MacAulay. These works, a series of promised gifts to the Varley Art Gallery’s permanent collection, explore Pudlo’s rich and varied engagement with mark making. Ranging from early graphite drawings of silhouetted figures, to imagery […]

Rock, Water, Tree: Group of Seven Works in the Jack Macquarrie Collection

About the Exhibition Artists: Franklin Carmichael (1890–1945), A. J. Casson (1898–1992), L. L. Fitzgerald (1890–1956), A. Y. Jackson (1882–1974), F. H. Johnston (1888–1949), Arthur Lismer (1885–1969), J.E.H. MacDonald (1873–1932), Albert H. Robinson (1881–1956), F. H. Varley (1881–1969). As we near the 100th anniversary of their first exhibition at the then Art Gallery of Toronto, the […]

Jeff Nye: Recovery Rooms

About the Exhibition Jeff Nye’s paintings are physical explorations of loss and memory. His work reflects upon the ways in which time and emotion distort our relationship to the built environment. The artwork featured in Recovery Rooms depicts abstracted elements of both domestic and institutional spaces, settings of particular significance to the artist. Architectural details, such as […]

On Your Mark II: F. H. Varley, Ed Pien, Kate Wilson

About the Exhibition The On Your Mark series is the catalyst for a study of the products and processes of mark making, a thematic thread which is woven throughout our 2016 exhibition programming. From both a historic and contemporary perspective, our exhibitions explore how artists use marks as both a means to an end, and as ends […]