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Mar 11 | Lunch and Learn with Sameer Farooq


Wednesday, March 11, 2026
12:30 to 1:30 PM
Free | Online | Zoom link provided upon registration

About the Program

Take your lunch break with us and join a free online talk with Sameer Farooq, featured artist from the Varley Art Gallery’s winter exhibition Sameer Farooq: The Fairest Order in the World. This session offers insight into Farooq’s creative process and current work.

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About the Artist

Sameer Farooq is a Canadian artist of Pakistani and Ugandan Indian descent, born in Cape Breton and based in Toronto. Farooq has held exhibitions at institutions around the world including The Venice Biennale of Architecture (2023), Fonderie Darling, Montréal (2022); Susan Hobbs, Toronto (2022); Koffler Gallery, Toronto (2021); Patel Brown, Toronto (2021); Lilley Museum, Reno (2019); Aga Khan Museum, Toronto (2017); Institute of Islamic Culture, Paris (2017); Contemporary Art Gallery, Vancouver (2016); The British Library, London (2015); Maquis Projects, Izmir (2015); Artellewa, Cairo (2014); and the Art Gallery of Ontario, Toronto (2011). Reviews dedicated to his work have been published by Art Forum, Canadian Art, The Washington Post, BBC Culture, Hyperallergic, Artnet, The Huffington Post, and C Magazine. He is an alumnus of the prestigious Bemis Center Residency.


About the Exhibition

Cape Breton born, Toronto based artist Sameer Farooq presents a solo exhibition that offers a deeply poetic space to reflect on the fraught and violent histories of art and anthropological museums, their colonial origins, structures, and impulses.

With The Fairest Order in the World, Farooq probes notions of provenance, repatriation, and repair, composing a series of new and recent sculptures and images to articulate unique ideas for repurposing the emptied spaces of museums devoid of their spoils. Mining the possibilities offered by sustained engagement, Farooq invites us to envision what the museum might become through the mechanics of restitution, what it may shift to collect and document, and what kind of experiences it could nurture.

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Thumbnail: Sameer Farooq, Restitution Series (Stone Heads), 2020. Ink jet print on Hahnemühle, photo Gloss 260, dibond mounted, 66 cm x 101.6 cm. Collection of Equitable Bank, Toronto. Courtesy of the artist.
Inner page: Louis Li Photography
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