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Archives: Exhibitions

Sketching the Past

About the Exhibition In the 1950s, Frederick Varley wandered the halls of Toronto’s Royal Ontario Museum (ROM) with pencil in hand. Sketching the Past invites visitors to share in the careful observations he made, and to think about why we visit museums: to see, record, and reflect. Varley visited the ROM several times, sketching in the Natural History and Art and Culture galleries, where the Chinese […]

Sameer Farooq: The Fairest Order in the World

About the Exhibition Cape Breton born, Toronto based artist Sameer Farooq presents a solo exhibition that offers a deeply poetic space to reflect on the fraught and violent histories of art and anthropological museums, their colonial origins, structures, and impulses. With The Fairest Order in the World, Farooq probes notions of provenance, repatriation, and repair, […]

The Quiet Fall: Scenes of Autumn from the permanent collection

Artists Franklin Arbuckle, A. J. Casson, J. S. Hallam, Francis Hans Johnston, William Goodridge Roberts, Herbert S. Palmer, Carl Schaefer, F. H. Varley About the Exhibition There is something magical that happens when the warmth of summer begins to wane and the crisp air of autumn makes its first appearance. The season evokes memories of […]

Sights of Convergence

About the Exhibition Sights of Convergence features work by Jess Riva Cooper (Toronto, ON), Gabriela García-Luna (Saskatoon, SK), and Stanzie Tooth (Toronto, ON). Each artist brings a distinct material practice and set of concerns to their work, yet all explore the intimate entanglement of human and natural worlds. Rather than treating nature as a passive […]

Kejie Lin: A Garden of My Own

About the Exhibition A border of purple and white pansies carpets the edge of a lush garden. Coneflowers, heavy with rain, nod in the breeze. Nearby, a single, perfect circle is cut from a hosta leaf — a tiny doorway left by a fat bumblebee dusted with pollen. This is Kejie Lin’s backyard: her subject […]

All Aboard!

About the Exhibition Artists: Franklin Carmichael (1890–1945), A. J. Casson (1898–1992), Alan Collier (1911–1990), Kathleen Daly (1898–1994), Audrey Garwood (1927–2004), Lawren Harris (1885–1970), Maurice Haycock (1900–1988), A. Y. Jackson (1882–1974), Arthur Lismer (1885–1969), J. E. H. MacDonald (1873–1932), Doris McCarthy (1910–2010), James Wilson Morrice (1865–1924), Charlotte Price (1796–1898), Ernestine Tahedl (b. 1940), F. H. Varley […]

Between the Current and the Echo

About the Exhibition Formed in 2004, the Z’otz* Collective is a multidisciplinary trio composed of Nahúm Flores, Erik Jerezano, and Ilyana Martínez. Of Latin American heritage, the artists merge drawing, painting, ceramics, and animation to create playful, storytelling-driven works that blend tradition with contemporary experimentation. Over time, the Collective has developed a unique communal process, passing works between […]

The Printmaker’s Matrix: Process, Image, and Innovation

About the Exhibition Artists: Mayoreak Ashoona (1946–), David Blackwood (1941–2022), Sorel Etrog (1933–2014), Betty Goodwin (1923–2008), Frederick Hagan (1918–2003), A. Y. Jackson (1882–1974), David Milne (1882–1953), Jessie Oonark (1906–1985), Walter J. Phillips (1884–1963), Pudlo Pudlat (1916–1992), George A. Reid (1960–1947), Campbell Scott (1930–2013), F. H. Varley (1881–1969) This group exhibition showcases prints from the gallery’s […]

Beneath the Surface: Stories of Kinship and Connection

About the Exhibition Beneath the Surface features the evocative works of Emma Nishimura and Gayle Uyagaqi Kabloona, who use printmaking to explore culture, family, and identity. Nishimura’s practice delves into themes of memory, loss, and resilience, focusing on her family’s experiences during the internment of Japanese Canadians in World War II. Her work reflects on the […]

Karen Kar Yen Law: Better Bitter

About the Exhibition Markham-based artist Karen Kar Yen Law 羅加欣 works primarily with monoprints, blending the structured layers of printmaking with the fluid expressiveness of painting. Hand-cut stencils are central to her process, creating precise shapes and patterns that build visual layers and reveal or mask parts of the composition. Through colour layering, she forms […]